A salute to Trio Surdina
Their lovely sound lives on.
12 January 2004 & 8 August 2007
In a recent column in Gafieiras, Ricardo Tacioli evoked the legendary Trio Surdinathat fabulous fraternity made up of the guitarist Garoto, the violinist Fafá Lemos, and the accordionist Chiquinho.
It was Paulo Tapajós, the singer and artistic director of Rádio Nacional, who grouped the three aces in 1951 to play in the late-night program Música em Surdina (Music on the Quiet). Before long, the trio, taking its name from the program, began releasing albums on Nilo Sérgios Musidisc label. Those albums were not dated, and today its impossible to tell when some of them came out.
The trio was not active long or consistently, for Fafá Lemos went to the USA in 1953 to accompany Carmen Miranda (Garoto had already done so earlier) and did not return to Brazil until 1956, the year after Carmens death. On 3 May 1955, Garoto died prematurely of a heart attack. So, necessarily, all of the original Trio Surdinas recordings were made in 195253. Capitalizing on the trios commercial success, other formations arose after the demise of the original, recording more albums under the Trio Surdina name.
The tribute to Ary Barroso (Musidisc M-008; see Tribute Albums for track list) was the trios second album. This 10-inch LP was probably recorded in one of the four sessions the trio had at Musidisc in December 1952 and January 1953. According to Ricardo Tacioli, this disc was not released until May 1956. However, recent research by Jorge Mello indicates that it was released simultaneously with the trio self-titled first album, in 1953.
Ary Barroso is featured in two other Trio Surdina 10-inch LPs, although these were not recorded by the original formation. Aquarela do Brasil (Musidisc DL-1004) of 1955 includes Aquarela do Brasil, Rio, and Terra Seca. Trio Surdina Interpreta Dorival Caymmi, Ary Barroso e Noel Rosa (Musidisc DL-1007), also released in 1955, includes Quando Eu Penso na Bahia, Três Lágrimas, and Boneca de Pixe. The musicians making up the trio in these later albums are Al Quincas (violin), Nestor Campos (guitar), and El Gaucho (accordion).
In addition, Musidisc released the 4-track EP Trio Surdina (Musidisc MEP-30.001) with Na Baixa do Sapateiro and Risque and two 78-rpm discs containing the following medley tracks, also performed by the trios second formation:
Author: Ary Barroso
Title: Rio de Janeiro; Inquietação
Genre: Sambas
Performer: Trio Surdina
Record Label: Musidisc
Number: M-15010-A
Matrix: MD-2019
Release Date: Aug.Sept. 1955Author: Ary Barroso/Luiz Peixoto; Ary Barroso
Title: Brasil Moreno; No Tabuleiro da Baiana
Gênero: Sambas
Performer: Trio Surdina
Record Label: Musidisc
Number: M-15010-B
Matrix: MD-2020
Release Date: Aug.Sept. 1955Author: Motivo Popular ; Ary Barroso
Title: Meu Limão Meu Limoeiro; Rio
Performer: Trio Surdina
Record Label: Musidisc
Number: M-15031-A
Matrix: MD-2061Author: Hekel Tavares/Joracy Camargo; Ary Barroso
Title: Favela; Terra Seca
Performer: Trio Surdina
Record Label: Musidisc
Number: M-15031-B
Matrix: MD-2062In early 2004, Jorge Mello reported having recently interviewed the only surviving trio member, Rafael Fafá Lemos Junior, born in 1921 and living in straitened circumstances.* Fafá told Jorge that those Musidisc albums were never recorded in a studio. Paulo Tapajós simply gave Nilo Sérgio the acetates. We never even saw the color of money, added the violinist.
More recently, however, Mello located Garotos diary, in which the guitarist noted four recording sessions at Musidisc between 5 December 1952 and 2 January 1953.
It isnt clear where this lovely recording of Na Baixa do Sapateiro was made, but the cavernous hall sound makes one pause. The whistler is Fafá Lemos, who was also the trios vocalist.
Baixa is one of the four Trio Surdina tracks on side A of the 10 LP Ary Barroso (Musidisc M-008). Side B was recorded (this time in a studio) by Leo Peracchi and orchestra. Despite the less-than-perfect sound, side A is by far my favorite.
* Fafá Lemos passed away on 18 October 2004.
Articles Copyright © 20042018 Daniella Thompson. All rights reserved.